Got Lots To Say CMJ soon....

Some Shot offerings from my brief schedule of events at CMJ. Hey, I got a full-time job, so this was fun but ain't easy. Almost done writing about the bands below. Check back or home, scroll

 

 

Blood Warriors at Piano's

  

Max Vernon @ Kenny's Castaway  

Sgt. Dunbar and the Hobo Banned @ Zebulon  

  

 Little Teeth at Zebulon

  

Little Teeth at Zebulon Emanuel and Fear @ The Delancey

   

Drink Up Buttercup @ The Delancey  

 

Cale Parks @ The Delancey

Catch Sgt. Dunbar and The Hobo Banned CMJ

Great set planned by the awesome eight-piece band Sgt Dunbar and the Hobo Banned. They plan to play eleven songs with one, possibly two songs never played in public, tomorrow at 9:00 @ Zebulon. All Things Considered, Blog made CMJ 09 recommendations of several bands, and the Hobos are included.

Everything Is Pt II from Tom Muro on Vimeo.

Catch Drink Up Buttercup CMJ

There are four more stops. Catch the mayhem. This latest video, Drink Up Buttercup, performs Heavy Hand live on East Village Radio for the CMJ Festival. Believe me, this is restrained.

More CMJ & Tour Dates

Max Vernon CMJ Debut Tomorrow

Photo Credit Jacqueline Zaccor

Max Vernon reached out to me about a year ago, and I've been hooked. He will perform tomorrow at Kenny's Castaway, his first CMJ debut. Max Vernon has a vocal instrument that is deep and resonating, its clear tonality has reach and depth of maturity. With a signature voice, he delivers piano-driven melodies with a broad lyrical palette of intelligence. At twenty years old, he composes music that can move in many ways, like the Woody Guthrie of Pop to make a bold comparison. OCM 2/ 09 Here Below is a sweet taste of his music in one of many homemade video entries!!!

Issue Project Courtyard Great Lineup to End Summer

The Issue Project courtyard on a beautiful afternoon was a perfect site to hear a selection of music by three different musicians. Greg Jamie's pure unadorned set was sandwiched between two experimental improvisational sets by Sacred Harp from Virginia and Honne Wells with Juan Comas.

Sacred Harp’s compositional arrangements with instruments, amplification, and accouterments created a trance, not for sleeping or contemplating but a welcome space from ear to head.

The instrumental set featured finger picking on a classical guitar, bowing of an electric, and anything but typical on a sitar. Utilizing a looping percussion of scrubbed strings was an effective background for a guitar instrumental.

Greg Jamie's solo set consisted of songs from his newly formed outfit Blood Warriors and one song off a 7” collaboration with Honne Wells. Going solo is a rare occasion for a man that fronts two bands. So his apparent shyness was charming to watch. Playing guitar, and harpsichord and hearing his straightforward vocals were delightful.

The sun was setting as Honne Wells and Juan Comas was on stage, and the quietness of the night took hold, guiding the sound to resonate off the concrete and bricks. Starting with a five-minute compositional movement that struck time like a broken clock tower. Guitar string pings applied in various measures broke up the composition and were contrasted by Honne Wells grunting low vocals.

This spectacular collaboration is something to witness. The guitar, slide guitar, banjo, mouth harp, stomping, and vocals are melded together to create unique sounds that are unfamiliar and offsetting. Familiarity is not their forte but creating dramatic and mesmerizing tension is.

Flicker Set Here

Blood Warrior from [dog]and[pony] on Vimeo.

Langhorne Slim / Crackerfarm Films it Best

Can't wait for Be Set Free by Langhorne Slim, due September 29th on Kemado Records! Here's a great clip by Crackerfarm with a brief interview, some crazy live footage, and a sweet acoustic rendition of the song "So Glad That I'm Coming Home." For personal reasons, I especially love the handsome young man with the big white specs loving the live show.

Brief Excursion To After The Jump Fest

When I say briefly it was, but I was happy to catch Get Haunted, and I’m Turning Into and the tail end of The Octagon. Get Haunted is a bit of Buddy Holly, Rockabilly, speed strum bottleneck, and a pounding drum kit. Their shoes were waxed, and a tuxedo shirt and sharp glasses set the stage for fancy footwork and great showmanship. So refreshing to not hear we’re from Brooklyn. Although the group hasn’t had many shows, they are obviously not new to music or performing. The banjo and drum were the details, but the soaring outcomes of Kevin on the slide guitar shredded the joint. The drummer Sarah kept a rudimentary beat, finesse did not apply, but enthusiastic smiles and downright pounding did! Lead singer and banjo strummer Joey Macrino had awesome dance moves and an outstanding command of the stage vocally and personally. Although all the songs were full of life, one outstanding exception was that they were dedicated to Blood Warrior. The song had levels of intrigue and several time changes that built to a frenetic beat. This made the New York debut for this three-piece from New London, Connecticut, one to remember for them and me.

I'm Turning Into is a multi-instrumentalist threesome of rotating players adept at playing and singing. Fast-paced punky rock mixed with experimental vocal loop effects and fast rhythmic drumming. They played the ultimate upbeat song, “Would It Matter.” Other songs showed off how well they could play, whether it was a long and dynamic jam excursion, “Nonlocal,” or unusual vocal arrangements with perfectly intact harmonies interspersed with yodel-like howling and human beatbox. Some performance quirks are due to instrument changes, but they have a lot to offer. Edd Chittenden, Jhon Grewell, Steve Tarkington guitar, bass, drums, and vocals. Check this out on myspace you won't be disappointed.

Got to get me some balls and learn the subway system and try to brave the night. Now that I live part-time in the city, I thought this would be easier, but it presents other difficulties. Besides seeing some music, I wanted to show my support to the Bloggers from After The Jump Fest who worked so hard to put this event together. Although some of the groups on the fest roster have garnered some press, it usually starts with one curated blog post, download, live review, or pictures. 

Although I would have loved to stay later to especially see Blood Warrior. I got to hang out, talk, and take pictures of Greg Jamie and Kristen Kellas-Jamie, two members of BW, a few hours before their 10:00 o’clock set. I have seen Greg Jamie with o’death and was lucky to catch him for Tonic's official last night doing a special guest appearance with Honne Wells. Blood Warrior finished their first small tour making their last stop after the Jump Fest. Featuring the great vocal styling of Greg Jamie with the spirited chorus, some shakers, and drunken drum beats sound like a patchwork folk collage. My Flickr Set Here Photographer Maryanne Ventrice documented the whole Fest at Prefix Day #3

Max Vernon New Video Entry

To say I'm obsessed with Max Vernon is an understatement. I'm always searching and waiting for new songs and they have been coming at a record pace for free download The Sixtyone. But it has been long nine-month wait for a new home video entry until now. It is a cover song completed for the celebration of Morrisey's fiftieth birthday, and part of a compilation released by The Music Slut called TMS Hearts Moz.

Enjoy "The Headmaster Ritual"

The Beets / The Virgins / Animal Collective DJ @ Santos

Santos Party House is an amazing place. The atmosphere is immediately welcoming. It has the most fabulous sound system. Few can compete because this place was specifically designed for musicians and listeners. Also, a great place to hold a benefit for a good cause to save a neighborhood Indie video store Cinema Nolita.

The Santos Party House sticks to a schedule. To my dismay, I took my sweet time and strolled the four blocks to arrive around 9:00, only to see The Beets on stage playing their final song to an appreciative, engaged crowd.

I caught them at CMJ in 08 and loved their set. So I approached them after the set with apologies and asked them a few questions about the upcoming tour with Vivian Girls and their feelings about playing at Santos. My lead-in should read; The Beets Had A Sound Check!! Seriously that is a big deal, and in this place, sound checks are worth doing because it works. They have played outdoors at DIY events, beaches, rooftops, and unofficial all-age shows. Although that is a great way to see music, it is not always the best way to hear it. The sweetest thing to watch was all the patrons complimenting the band on their set. I Informed them that they were the lead in the picture at the Brooklyn Vegan segment "What's Going On Monday". As they embark on a tour with Vivian Girls starting August 25th, they have a very positive experience to draw on. I love the mix of all-girl and all-boy bands on the same bill.

I rarely see groups like The Virgins. I came out to see The Beets and usually concentrate more on emerging talent. I thoroughly enjoyed their fantastic seamless set. Tight and focused is what I have to say. The frontman and lead singer, Donald Cumming was barefoot, wearing optical leggings and a tee. His long, lean body is in constant motion showing off his less-than-fluid geeky ballet gestures. It was endearing. The guitarist broke out, occasionally exaggerating a long strum with an extended arm or an occasional knee dip.

They played a mashed-up disco/ new york / new wave with edgy, catchy hooks. At first, I felt everything sounded repetitive, but they scaffolded and built energy with the electric leads, some Reggie beats, and funk. I liked when Cumming's sang alone and pulled out an unexpected harmonica. Slowly the others weighed in. The very enthusiastic female crowd, including me, took it all in. They have a great European fall tour doing major festivals with one detour in Texas at Austin City Limits.

Animal Collective DJ (Avey Tare and Geologist) set started out with little fanfare. It's possible that during a restroom break, I might have missed the introduction. When I returned, they were busy in the DJ loft to the right of the stage. The surroundings were transformed, and the large disco ball rotated in the center of the space with fog and laser lights. They started with a long psychedelic song with animal-like screams sporadically interspersed between rhythms. The twisted remix of standards like "Rock Lobster" (pretty sure) and Abba's "Take A Chance On Me" was catching on, and the groove was setting in. Suddenly, their set was hijacked by an unexpected appearance of The Film director Abel Ferrara and crew. They took the stage and played raw rock & roll, with Abel having a propensity for course street grime rap. the stage became crowded with all the female hosts connected with Cinema Nolita, including the lead singer of The Virgins.

Animal Collective sat this one out, checking cell phones and sitting on the stairs to the upper loft. After the three-song set, they began again. Still trying to figure out how it turned out, I left after the next song I knew it would take some time for a groove to set in again.

Flickr Set

Novice Theory / Aria Orion; September @ Galapagos

Two Noteworthy bands I reviewed last year are embarking on some dates to showcase their new projects. I guarantee a night of invigorating music and edgy performance at the beautiful Galapagos art space in Brooklyn on September 1st. So mark your calendars. I'm very disappointed that I won't be able to attend. It would be wonderful if some of my readers take the dive.

Novice Theory, AKA Geo Wyeth, has been performing solo and now has a new band, songs, and a new EP to be released in September. Aria Orion Jules Gimbrone's multi-sensory ensemble with new band and songs and Geo Wyeth on drums. Leyna Marika Papach's solo violin performance.

Aria Orion Live at Monkeytown 5.15.09 with a film by Elliot Montague and Stephen Remington. Jules Gimbrone, composer (vocals/guitar), Geo Wyeth (Drums, vocals accordion ), Daniel Arnnow (Bass), Batya Sobel (oboe).