The Issue Project courtyard on a beautiful afternoon was a perfect site to hear a selection of music by three different musicians. Greg Jamie's pure unadorned set was sandwiched between two experimental improvisational sets by Sacred Harp from Virginia and Honne Wells with Juan Comas.
Sacred Harp’s compositional arrangements with instruments, amplification, and accouterments created a trance, not for sleeping or contemplating but a welcome space from ear to head.
The instrumental set featured finger picking on a classical guitar, bowing of an electric, and anything but typical on a sitar. Utilizing a looping percussion of scrubbed strings was an effective background for a guitar instrumental.
Greg Jamie's solo set consisted of songs from his newly formed outfit Blood Warriors and one song off a 7” collaboration with Honne Wells. Going solo is a rare occasion for a man that fronts two bands. So his apparent shyness was charming to watch. Playing guitar, and harpsichord and hearing his straightforward vocals were delightful.
The sun was setting as Honne Wells and Juan Comas was on stage, and the quietness of the night took hold, guiding the sound to resonate off the concrete and bricks. Starting with a five-minute compositional movement that struck time like a broken clock tower. Guitar string pings applied in various measures broke up the composition and were contrasted by Honne Wells grunting low vocals.
This spectacular collaboration is something to witness. The guitar, slide guitar, banjo, mouth harp, stomping, and vocals are melded together to create unique sounds that are unfamiliar and offsetting. Familiarity is not their forte but creating dramatic and mesmerizing tension is.
Flicker Set Here
Blood Warrior from [dog]and[pony] on Vimeo.
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