Nothing drew more interestingly erratic movement than the polka-like eccentric time changes in the song “Mountain Shifts.” “Vacant Moon” drove the crowd to new heights with an uncontainable burst of acceleration, the slow moments lending to a needed recovery. There were tender and solemn moments when they sang the beautiful but beefy “Grey Sun” and the lovely harmonic “Angeline.” By the night close, the crowd broke out in a wave of frenzy. Each person claimed a wider and more open space, not holding back another minute, while others less risky had to accommodate. I’m always up front next to the stage. So it was fun sharing that time with o’death’s slew of friends. Meagan of the “Yeah Bob” contingent was on my right, and the affable Jessica was on my left. GPphoto passed me his card as I willingly gave up my spot for art. He got a great shot.
Openers Hoots and Hellmouth did a short set. I enjoyed their set more at the Mercury Lounge, where the sound system showed off their acoustic instrumentation and soulful gospelesque vocals coordinated with a foot-stomp wooden platform. I was told that they really let go on their home turf in Philly by one of their most beautiful and adoring fans Kim.
Below is a video by Krolick Production of the following night at Johnny Brenda’s with o’death.
PitchFork TV, "Low Tide"
Flickr Set o'death Flickr Set Hoots and Hellmouth